Jinzhe Qiushi    金哲秋拾

Dear friends,

Thank you for everyone who made my charity sale during the 2024 AGA Holiday Market possible. From November 30th to December 1st, we all together manifest CAD 1410.36 to buy books for the orphans from Lhasa Tibet. What you have helped and contributed may create infinite miracles in the hearts of the kids who will receive those books. I want to thank you deeply from the bottom of my heart for your love, kindness and generous to this world. May you all the best in your life.

The 36 Days I Roam /《我的三十六天漫游》 paperback edition & the art card set is newly published this Autumn. The research and creation of this book is generously funded by Edmonton Arts Council & Canada Council for the Arts. Click |here| to see the detailed information.

The painting 《奇物国》/ Infinite Wonderland from 《十二心地》/ The Twelve Wonderlands Series is on view for the Capital City Art Exhibit - Roots & Routes until November 30, 2024. This ink painting is inspired by my mediation and roam with ocean in Dalian, desert in Dunhuang, and mountains in Lhasa. The exhibition is at the Stanley A. Milner Library on the 2nd floor reading room gallery. Click |here| to see the detailed exhibition information.

The Dragon Folks from my new released artist book One Thousand Fairy Tales was lively performed and collaborated with Jiajia Yong and Yeng Chang for Thousand Faces Festival on July 12th and 13th. Click |here| to see the whole live performance.

Mr. Pei' s Mushroom Soup from One Thousand Fairy Tales has been performed for the Chinatown Care Package Series 3-5pm at Co-lab on Saturday August 10th. This performance based workshop is a collaboration between my live painting & vocal with Clint Hoekstra' s drum, Donovan Lane' s bass, Madden, a.k.a. MAD JOHN!' s vocal, Qiurui Guo's video, and Jiapei Wang' s live cooking. Click |here| to see the documentary scenes of the live performance.


Artist Bio:

Cui Jinzhe, pen name Qiu Shi, painter, multidisciplinary artist whose practice is fundamentally based on painting, Chinese calligraphy, and writing. Jinzhe was born and raised in Dalian, China. She was obsessed with drawing, singing and dancing since her early childhood. In 2008, Jinzhe came to Canada where her work has been focusing on self - enlightenment, community intervention and cultural integration.

Cui Jinzhe mingles Chinese ancient blessing patterns and traditional Chinese symbolic totems. She also uses graphics on ancient Chinese costumes and silk embroidery and historical artifacts, reconstructing them with a contemporary emotional incarnation. Jinzhe redrew history from a modern perspective so that people nowadays can empathize with history. As Benedetto Croce said, “All history is contemporary history.” Her art works create a metaphor for the concept that there is an invisible reality may have occurred in the past, recur in the future, or may be happening in this world at present. “It also implies my intuitive sensation and imagination about the origin of life”, Cui Jinzhe said.

The integration of diverse elements Jinzhe examines has a traditional origin; for example, the image of the Chinese dragon. It’s shape is composed of nine animals: its head resembles a camel’s, its horns resemble those of a deer, its eyes resemble those of a rabbit, its ears resemble a cow’s, its neck resembles a snake’s, its belly resembles a serpent, its squama resembles a carp’s, its claws resemble those of an eagle and its palms resemble those of a tiger. This type of art genre uses compound forms of multiple graphics and is like Lover’s Whisper which uses a modern perspective to narrate the misty, looming eternal love of mankind!

A yearning for ancient heritage as well as the imagination for future, Jinzhe’s art practice, everyday life, and inner aspiration are realized and challenged. Her practice often developed from traditional Chinese art genre, then expressed in contemporary multimedia language and her individual artistic styles. In recent years, she is passionate to examine the boundaries between painting, installation and experimental performances. Her work often evokes experience of presence and inquiries inner space exploration.

Jinzhe’s work has been exhibited nationally and internationally. Her art has been collected by Hemera Foundation, Xucun Art Museum, Edmonton Arts Council, City of Saskatoon, Wuyang Folk Painting Commune, Society of Northern Alberta Print-Artists, Dalian Polytechnic University, Edmonton Chinatown Chinese Library, and numerous private collectors from Canada, USA, and China.


Deep thanks to Canada Council for the Arts, Edmonton Arts Council, City of Edmonton, Edmonton Heritage Council, Saskatchewan Arts Board, Government of Saskatchewan, City of Saskatoon, Access Copyright Foundation, Hemera Foundation, Zen Mountain Monastery, Tassajara Zen Mountain Center, Mactarggart Collection, Metropolitan Museum of Art, and everyone like you who have made Jinzhe' s various projects possible and be seen.